3.6 • 1.5K Ratings
🗓️ 12 August 2016
⏱️ 33 minutes
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0:00.0 | Welcome to the New York Times |
0:02.0 | podcast. |
0:03.0 | What have we done for you lately of music, news, and criticism? |
0:06.7 | I'm your host John Caramonica. |
0:08.0 | When I was 17, I did what my father said and let my mother movie |
0:22.0 | that was a long ago I'm in my heart You're listening to control by Janet Jackson. We're in control with John Caramonica and |
0:38.1 | Wesley Marsh, critic at large in the New York Times. |
0:40.6 | Hi, John. What's that? |
0:42.4 | Really good. It's all good What's that? Really good. |
0:43.3 | It's all good if we're talking about Janet. |
0:45.1 | It's such a beautiful day because I feel like a lot of times on the |
0:48.1 | pop cast, you know we're talking about the now. |
0:50.7 | We're talking about this very specific moment, this thing that is happening as you are listening. |
0:56.0 | And it's nice to kind of step back and think a little bit. |
0:59.0 | And in this case, to think a little bit about Janet. |
1:02.0 | You wrote a piece the other day about the |
1:05.2 | 30th that loosely pegged to the 30th anniversary of the commercial peak of control. |
1:12.4 | Tell us a little bit about control when it came peak of control. control. Yes. |
1:13.0 | Tell us a little bit about control when it came out, why it was important when it came out. |
1:17.0 | It came out in February of 1986 at a really interesting time for pop music in general and R&B's pop transition, |
1:28.0 | it basically just didn't sound like anything else. |
1:32.0 | It had clear antecedents. At that point we had Prince |
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