Hand me a tile I'm dirty dancing by myself gone off tabs

of that acid for me a circle watch my jagger.

Welcome to the New York Times podcast, your durational performance piece

of music news and criticism.

I am your host, John Cara Monica. We too loud and criticism. I am your host John Cara Monica.

We too loud in public, then police turned down a function.

Now we outside and the time is perfect.

We've got to tell you, got to tell you how much I vibe with you.

And we don't got to be so low.

Now stay away from highways my eyes like them realize right now I prefer yellow redbone. You're listening to solo by Frank Ocean.

Y'all mind if we wild out.

I have the dream team here to talk about all the Frank Ocean's many projects. I have Jenna Wertham. I have Wesley Morris. I have Craig Jenkins and I have Justin Charity.

And if you don't know what a feisty roundtable this is going to be grab a hold of your

durational chair because it's about to go in. I guess the first question I want to ask

everybody is for a very quick I need a one word answer to this first question

and we're gonna start we're gonna start with actually we're going to start with, actually we're going to start with Jenna.

Frank Ocean releases Climax or Anti Climax.

Oh, neither, right?

Okay, that's a fair answer.

Fair answer.

Leslie?

I mean, it's climactic in the sense that we're talking about it.

...