3.6 • 1.5K Ratings
🗓️ 27 May 2016
⏱️ 25 minutes
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0:00.0 | Welcome to the New York Times |
0:04.0 | podcast, Your Mutron By Phase Pedal of Music Criticism and Analysis. |
0:08.0 | I'm your host John Perreelis. And you. better answer for us to know. |
0:25.0 | Coming up by the way to say if those words to, |
0:30.0 | why stills the use of time |
0:32.0 | what the answers to time. What the answers is. |
0:35.0 | And it's all and things. |
0:38.0 | And we just heard answers me by Arthur Russell, which you may recognize as one of the essential ingredients of |
0:46.2 | Kagni West's 30 hours. I'm here with Ben Ratliff, who has been into the Arthur Russell Archives, |
0:52.2 | and let's talk about this composer who keeps |
0:55.0 | turning up in the strangest places years after he died. |
0:58.6 | It's an amazing thing. |
1:00.6 | Arthur Russell was a singer- songwriter, cellist, composer, lived in New York from the early 70s until |
1:07.8 | 1992 when he died at the age of 40, died of AIDS, complications from AIDS. |
1:14.0 | When he died, he was known to a few as a brilliant and sort of hard to understand musician, |
1:23.5 | kind of hard to contain, because his interests |
1:26.1 | were all over the place. |
1:27.5 | He made great disco records. |
1:30.1 | He made great sort of country rock records, and he made great sort of country rock records and he made great records that I guess you could |
1:36.4 | explain by saying they were in the experimental music tradition but... |
1:40.1 | Well they were minimalism too I I mean, I was around that. |
1:43.3 | They had something to do with minimalism, for sure. |
... |
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