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Political Gabfest - Gabfest Reads | How to Turn the Creative Process Into “Good Trouble”

Slate Daily Feed

Slate

Business, News, Society & Culture

3.91.1K Ratings

🗓️ 19 April 2025

⏱️ 48 minutes

🧾️ Download transcript

Summary

John Dickerson talks with author Maggie Smith about her new book, Dear Writer: Pep Talks & Practical Advice for the Creative Life.  They talk about the essential elements of all creative projects, when you know a project is “done”, how to stay “porous” in the world, and more. 


Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.)


Podcast production by Cheyna Roth.


Hosted on Acast. See acast.com/privacy for more information.

Transcript

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0:00.0

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0:31.0

Welcome to GabFest reads for the month of April.

0:34.3

I'm John Dickerson, one of the hosts of Slate Political GabFest.

0:37.3

My guest today is Maggie Smith,

0:38.9

the author of Dear Writer, Pep Talks and Practical Advice for the Creative Life.

0:44.8

Maggie draws on her 20 years of teaching as well as her life as a poet and author to break down

0:51.4

creativity into 10 essential elements, which are to my mind the 10 essential elements

0:57.9

of life, wonder, vision, play, surprise, vulnerability, restlessness, tenacity, connection, and hope.

1:04.1

We talk about Maggie's creative process, the importance of staying porous, and a great deal more.

1:12.7

So here's our conversation. I hope you enjoy. So Maggie, I've been a longtime fan of both your work and also just the way you move

1:19.2

through the world. So I'm delighted to get a chance to talk to you. Let me start with the

1:24.4

choice you made in Dear Writer to break it down by or divided into sections

1:30.7

based on attributes. First, that choice and then the ones you chose. Yeah, it's actually funny. I think

1:38.2

I'm walking the walk because I wrote an earlier draft of this book a few years ago that didn't have those 10 ingredients at all.

1:49.1

And then when coming back to the draft, I looked at it and I thought, oh, three years later,

1:54.3

I wouldn't write the book this way. I would re-envision it entirely. And so after getting a lot of questions over the years that basically

...

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