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Fresh Air

Police Procedural 'Homicide' (Finally) Comes To Streaming

Fresh Air

NPR

Tv & Film, Arts, Society & Culture, Books

4.434.4K Ratings

🗓️ 16 August 2024

⏱️ 51 minutes

🧾️ Download transcript

Summary

Homicide: Life on the Streets, the critically acclaimed police procedural set in Baltimore, is coming to streaming (Peacock) for the first time. The show, which ran for seven seasons, is based on a book by David Simon, from before he created The Wire. In an appreciation of the show, we're listening back to interviews with some of the people behind it: Executive producer and writer Tom Fontana, actor Andre Braugher, and actor Clark Johnson.

And film critic Justin Chang reviews Alien: Romulus.

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Transcript

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0:00.0

Support for this podcast and the following message come from Dignity Memorial.

0:04.6

When your celebration of life is prepaid today, your family is protected tomorrow.

0:09.6

Planning ahead is truly one of the best gifts you can give your family.

0:13.4

For additional information visit dignity memorial.com.

0:17.1

This is fresh air. I'm TV Critic David Bienkule.

0:20.3

It must seem like every TV series ever made is available on some streaming service somewhere, but that's not true.

0:27.0

Try finding W.K.R.P. in Cincinnati or China Beach, or Frank's Place Place or Brooklyn Bridge.

0:34.0

However, one show that has been missing from streaming services until now,

0:38.0

one of TV's very best, finally arrives Monday,

0:41.0

when Peacock begins streaming all seven seasons of Homicide Life on the Street.

0:47.0

That cop show, set in Baltimore, ran on NBC from 1993 to 1999. Its executive producers were Tom Fontana from St elsewhere and

0:56.8

film director Barry Levinson. It was based on a book by David Simon who later wrote for

1:02.1

the show, then created a string of his own brilliant

1:04.8

TV series, starting with The Wire.

1:08.7

Homicide was groundbreaking TV in several different ways. Entire scenes were acted from start to finish like a stage play,

1:16.0

and filmed with a single camera.

1:18.0

That process was repeated several times

1:21.0

with the camera operator capturing different angles.

1:24.0

And then, finally, pieces from those different takes

1:27.0

were edited together into one jarringly intense sequence.

1:31.0

Homicide also reflected the diverse population of Baltimore by having at the time the most

1:37.2

integrated series cast on network television.

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