BOTY! This is your fucking wake up call man! I am a P-O-D cast!

Yeah, no that's great. That's the best line of the movie, right?

It's great delivery. It's a great delivery. Yeah. I love that movie. I love that line. I love that movie. I love that movie.

This movie that we're talking about today. Yes. On what podcast? Blankshake with Griffin David. Hi, I'm Griffin. Great job. David Simms. I'm David Simms.

Griffin Newman. Yes.

This is a podcast about filmography. Stresters who have had massive success. Earlier on the career in a given series of Blankchecks to make whatever while

passion projects they want. Sometimes those checks clear. Sometimes they bounce. Baby. And this is kind of the movie that that starts the check book is sort of issued with some contingencies after this.

Yeah. No, no, no. Because after this is her blank check. This is her blank check. This is her blank check.

Yes. Her whatever. What is this her loan approval? What do you call the movie that gets you the blank check?

What do you need to do to get a check book to open a tracking account? Right. This is her two forms of ID.

Right. This is her guarantee. This movie is her guarantee. This is your rich parent coming with you to the best.

Yes. That's the word. This is her guarantee. This is her guarantee. Thank you for talking on my before we introduce you as I prefer. Always.

Yes. So this is a main series about the films of Catherine Bigelow is called pod 19, the widowcaster. That's right.

And today we're talking about what is sort of I mean, weirdly, she's got two defining films of two career census favorites.

I guess. Right. Right. And this is the first. Right. Right. Yeah. Two movies that if you point a gun at someone and say, what are your favorite Bigelow movies?

They, you know, like family feud style. These would probably be top two. Right. And there are really like her like a real one.

The arguably like two major phases of her career. And this represents one. The second represents the other. Yeah, I would say there's the sexy boys phase.

And then there's the sort of like gritty realism, like topical. Yeah. And then I'm curious to see whether I feel like we might be on the verge of a third place.

I would love her to go back to sexy boys. Me too. Yeah. That would be fun. This is one of the sexiest boy movies ever made.

Yep. It is called point break. Yep. And boy, everything about this movie is sexy. Steeped in the female gaze. It is.

It is. It really is. I want to fuck the waves in this. That's also true. You know, like everything is so well shot.

The people sandwiches in this movie. It's a very like weirdly sexual romantic movie in every set. Because I do I look at the sandwiches.

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