Christmas with jerks.

So Leanna, how do you flip between director and yourself?

And do you have to like jump over and look at how you did it and rewind and like see yourself?

Are you just trusting the process and hoping?

In my mind, there was going to be a lot of

flipping over and watching even though it's painful to see yourself doing whatever

but it we just didn't have the time We had to fly in these eight days.

I mean, it's kind of incredible that we shot as much

as we did in eight days.

And we had two pick-up days of grabbing some shots

that we needed.

But this is where the two of us knowing each other really well and talking a lot ahead of time was super important because I had to let Christina take the wheel all the time.

You know and I can see the monitor here and there.

But yeah, I mean you just have to know that you're in good hands and I was in the best hands.

So she did the thing. We had to where we couldn't have gotten through.

Well, it was we spent a lot of time I mean for considering how short it was we spent a lot of time in pre-production talking through all the scenes we rehearsed with Tyler ahead of time like you got time to really like figure out the characters and we knew what our shots were

we storyboarded and all of that so that I knew on the day what the goal was and

so then you could kind of stay in what you needed to stay in because we were always together and I think what I really love about working with you is like it doesn't feel like there's an ego issue where like what's funniest. It's always like what makes the most sense for the story. So we'll pivot and we're like,

okay, this is working or this isn't working.

Let's, you know, we'll work together on it.

And so it was really fun and collaborative,

but I was like, okay, I know this is Leanna's vision in this moment.

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