4.8 • 1.2K Ratings
🗓️ 23 July 2025
⏱️ 66 minutes
🧾️ Download transcript
“I wanted to be good, but I completely burned up the morning,” said Joaquin Phoenix on day 1 of Eddington. “Ari and I stayed on set when everyone left for lunch—and, slowly, something emerged. I don’t know if it’s any good, but it didn’t make me want to end everything.”
With the film’s arrival in theaters, we return to our candid, long-form talk with Phoenix. At the top, we unpack his transformation in Joker: Folie à Deux (7:10), his free-wheeling collaborations with director Todd Phillips (9:32), and the nomadic upbringing that marked his early years (13:00). Then, he reflects on his childhood television debut in Hill Street Blues (20:27), the brilliance of Robert De Niro (25:53), and his formative performances in To Die For and Parenthood (32:45).
On the back-half, we discuss how the polarizing mockumentary, I’m Still Here (45:15), inspired his singular collaborations with directors Spike Jonze, Paul Thomas Anderson, James Gray, and Lynne Ramsay (49:30). We also talk about the evolution of his acting process (50:47), the impassioned Oscars speech he delivered accepting Best Actor for Joker (56:15), and whether he’ll ever turn in what he believes is a ‘great’ performance (1:00:40).
Hear our episode with Ari Aster and watch on YouTube.
Thoughts or future guest ideas? Email us at [email protected].
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0:00.0 | Lemonada |
0:02.0 | Lemonada |
0:04.0 | This is Talk Easy. I'm Stan Forgo, so welcome to the show. |
0:42.5 | Today, actor and activist, Joaquin Phoenix. |
0:47.9 | To run through his credits is to name some of the finest films of the past 30 years. |
0:50.2 | To Die For by Gus Van Sant. |
0:52.4 | Two Lovers by James Gray. |
1:13.6 | Her by Spike Jones. The Master by Paul Thomas Anderson. You Were Never Really Here by Lynn Ramsey. Come on, come on by Mike Mills. And that's just naming a few of my personal favorites. Whether he's playing a burnt-out teen and to die for a traumatized World War II vet and the master, or Napoleon and Napoleon, |
1:20.6 | his work always feels more lived than observed. He doesn't transform so much as he inhabits. |
1:27.0 | His latest transformation is in Eddington, the new COVID-era Western, directed by Ari Aster. |
1:32.8 | Set in May of 2020, the film revolves around a kind of social and political standoff between Joe Cross, a local sheriff, played by Phoenix, and Ted Garcia, the incumbent mayor, played by Pedro Pascal. |
1:40.5 | After months of lockdown and mask restrictions, Cross decides to mount a campaign for mayor, challenging Garcia in a community reeling from the pandemic and polarization that came from that period. |
1:52.8 | On Sunday, I sat with the film's director, Ari Aster, for a lengthy conversation to unpack the politics and purpose of the film, especially in this climate. |
2:03.1 | If you haven't heard that episode, you can listen to it wherever you're listening to this right now. |
2:07.9 | You can also watch the episode in full on our new YouTube channel. Just search Talk Easy on YouTube, |
2:14.0 | and it should pop right up. We've also included a link to the page in the description of this episode. |
2:20.1 | When I sat with Phoenix last fall, he was in the throes of promoting the new Joker film. |
2:25.4 | But as you'll hear, he's not exactly one to be on message or to stick to talking points. |
2:33.2 | Like his work on screen, there's nothing programmatic or |
2:36.7 | rehearsed about his answers. He seems to be finding them in the moment, as you'll experience |
2:42.5 | them here today. We talk about everything from his nomadic childhood to his first roles on |
2:48.5 | television, to his early days making Eddington with Ari, the impassioned |
... |
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