This is the Pitchfork Review, and I am Puget Patel, the editor of Pitchfork.

And back by popular demand is our staff writer, Madison Bloom, and reviews editor Jeremy Larson.

Hi there.

Hello.

Hey, guys.

So that last episode of listener, Collins, was super, I think, emotional for all of us and very fun.

Did you guys hear anything from anyone?

I got a record deal out of it, so this is probably my last podcast.

I wondered if you'd get a record deal or like a cease and desist from Coldplay.

It's, well, it's both.

So they've asked me to join the band because they feel like I, it's kind of like when,

you know, Google buys like a competing company.

So they're like, don't do this again.

We need you to be part of our crew now.

I thought that it was really interesting that the entire staff of Pitchfork

had never heard that for some reason. So you've cemented yourself into the kind of legacy

of Pitchfork in that way as well. What a legacy. Great. I hope that's how I'm remembered here.

There's a lot of people who cry for a new review of that

album because I think it means a lot to people of a certain age. We will not be reviewing that

album. You've heard it here first. Well, hopefully some of our calls for today are going to be a little

less emotionally devastating to us personally.

Let's hear the first message.

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