4.8 • 8.2K Ratings
🗓️ 10 September 2024
⏱️ 47 minutes
🔗️ Recording | iTunes | RSS
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0:37.0 | It's September 2023 in Santiago Chile. We're on Serochena, a hill overlooking the city. |
0:45.0 | This was once the site of Via Grimaldi, one of the Chilean armies most notorious interrogation and torture centers. |
0:54.0 | Now it's a place of remembrance. |
0:58.0 | Guitar strings pluck out the melody of Chile's national dance, |
1:02.0 | La Quaker. |
1:04.0 | An old woman dressed in black walk slowly across the baked earth |
1:07.8 | on top of the hill. |
1:10.2 | She holds a playing white men's shirt in her hands. |
1:14.7 | On the ground by her feet are hundreds of black and white photographs, some nearly 50 years old. |
1:28.4 | They show the faces of husbands, fathers, sons, men and boys who were taken from their homes and never seen again. As the song begins, the woman raises the white shirt in front of her, |
1:37.1 | holding it by the cuff and shoulder, the limp, lifeless ghost of a dance partner. |
1:44.4 | She begins to move. The air billows through the loose fabric, filling out its contours, |
1:51.0 | as though it still clings to the back of the young man who once wore it. Lacueka, traditionally performed by couples on Chile's Independence Day, has become |
2:07.1 | La Quueka Sola, and it has been danced alone by this woman and hundreds like her since the early days of Pinushe's dictatorship. |
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