Happy Halloween, trick-or-treaters, dreamers, campers, suspects, and deadites.

What you're about to hear is a clip from our latest installment of the Rennel.

It's a deep dive into 1982 Spanish slasher classic pieces.

How do you hear the full thing?

Become a member of our Patreon, The Rewind.

You could find a link into the description of this episode

or you can visit

www dot patreon.com slash Halloweenes pod hope to see you there so we can give

you one more scare.

Continue with some questions about the actual movie itself.

Do you... so one thing I noticed watching this picture is that it seems it appears to have a self-awareness of the grindhouse aesthetic and the slasher genre. Do you think that's intentional knowing a little bit about these filmmakers and these producers on their part

that they're trying to make a movie that kind of takes the piss out of the horror of

this arrow or do you think they're just kind of leaning into all the

tropes so hard that it almost comes out the other side as comedy?

I don't think they were going for comedy at all. I truly don't think that. I think it came out that way.

This is the best case example of circumstantial, situational production history that comes into the humor aspects of it all.

Because if you think about it, like Simone, you know, he grew up watching American movies and he had actually, I mean according

to Joe Bob on the pieces, because I was wondering about this while watching it, I was like,

this feels like someone commenting on American culture that doesn't really know what American culture is which is for me

if we do this to other countries you were always like everyone just goes nuts about us

But when people do it in America it's

funny because America is yes I think it's funny because we kind of need that sort of

...