4.4 • 13.7K Ratings
🗓️ 8 July 2018
⏱️ 42 minutes
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0:00.0 | This is the BBC. |
0:03.2 | Hi, I'm Kristi Young. Welcome to Desert Island Discs, |
0:06.8 | where every week I ask my guests to choose the eight tracks, book and luxury |
0:11.3 | that they'd want with them when I cast them away. |
0:13.6 | This is an extended edition of the original broadcast, |
0:16.9 | although the music is shorter for right reasons. |
0:19.7 | I hope you enjoy the podcast. |
0:30.0 | My cast away today is the hat designer, Philip Tracy, a maverick creative force. |
0:47.8 | His trailblazing style has marked a paradigm shift in a hitherto highly conservative genre. |
0:53.7 | Not for him, the charms of the dainty, past or feathered fascinator, |
0:57.8 | no, his hats are constructions of such spectacular drama, |
1:01.8 | ingenuity and engineering that he's turned millenary on its head. |
1:07.1 | From Lady Gaga to the Land of Gentry, he is the go-to guy for someone wanting to make a statement |
1:13.4 | on a concert stage, a catwalk, or simply sashing into the chapel at a society wedding. |
1:19.4 | Indeed, it was as a little fella growing up in rural Galway that he would stand |
1:23.3 | week in, week out at the doors of the local church, entranced by the get-ups of the wedding |
1:28.8 | guests and the beauty of the bride. He says of his world-renowned designs, |
1:33.6 | I think and I hope I have changed the way we look at hats. |
1:37.4 | They are no longer symbols of conformity, but highly individual acts of rebellion. |
1:42.7 | I am constantly challenging the perception of what a hat should be and what role it should play. |
1:49.1 | So we're recording this, then, a little bit, the height of, well, I would think it's the height of hat |
1:52.3 | season. We've got lots of summer weddings, royal askets just finished. |
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