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0:00.0 | You are a human animal. |
0:07.6 | You are a very special breed, |
0:11.6 | for you are the only animal. |
0:15.0 | Who can think, who can reason, who can read. |
0:18.5 | Hi, this is Michael Sulfobladen. |
0:20.3 | Welcome to Bookworm. Today my guest is Philip Grahamulfa Bladden. Welcome to Bookworm. |
0:21.5 | Today, my guest is Philip Graham, the author of How to Read, an Unwritten Language, recently |
0:26.6 | published by Scribner's. |
0:28.5 | And I want to start by characterizing the book in a way I haven't exactly seen it characterized. |
0:35.0 | Recently, there have been very popular books that might be classified as |
0:40.4 | spiritual novels, and most of them, although bestsellers, are quite uninteresting. This seems to me |
0:47.9 | to be a sort of novel of the spiritual path, but for literary people. Do you think of it in that |
0:53.6 | way? Very much so. |
0:55.0 | Oh, good. |
0:56.0 | I mean, the second sight that the main character Michael has is a kind of a gift of seeing. |
1:03.0 | That's a burden for him as well as an opportunity as a pleasure. |
1:07.0 | I don't know how to really describe these books, but there seems to be a certain |
1:14.7 | kind of novel of generous imagination. Sometimes they find their seats, and sometimes they |
1:23.9 | fall to the floor, but they usually get picked up again. |
1:34.5 | I'm thinking of others like Peter Beagle's A Fine and Private Place, years and years ago. |
1:38.5 | Some of the novels by Jonathan Carroll, have you run into him at all? |
1:48.6 | There's sort of novels that keep being on the verge of fantasy and then withdrawing. And as a result, they have that interesting relationship that your book has to the ordinary, the possibility that the |
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