Hello, it's Miranda. I'm back with a new mini episode of Podforce One. This feature is a little more

topical and relevant to my day job as a columnist for The New York Post. Today I have some fun

teasing the nasty, know-it-all movie critics about the fact that despite their

best efforts, the First Lady's documentary, Melania, has had a record-breaking box office hall

in its opening weekend. Out there in the real America, the audience just loves it. I also delve

into the hidden messages and serious

intent in the lavishly produced movie. In a big blow to the Trump-deranged community,

Melania Trump's eponymous movie knocked the lights out on its opening weekend. It came in at

number three overall and its $8 million

box office takings in three days is almost unheard of for a documentary. Melania is crushing

it on Rotten Tomatoes, too, with a 99% audience score on the Popcornometer, easily besting the sneering critics 10% on the

tomatometer ratings.

Like everything to do with Donald Trump's two presidencies, whatever the leftist media's opinion,

the American public thinks the opposite.

The inverse mediaometer is one of the most reliable gauges of public sentiment

in this country. Quote, to say that Melania is a hagiography would be an insult to hagiographies,

sniffed the Hollywood reporter. A variety called the movie a shameless infomercial.

The First Lady is a, quote, preening, scowling, void of pure nothingness in this ghastly bit

of propaganda, snarled the Independent.

The Guardian trashed the movie as gilded Drash, and two hours of pure

endless hell. Ha, haters going to hate. But that's not what the 99% said in hundreds of

glowing audience reviews on Rotten Tomatoes. Absolute class act documentary, wrote Glynnis, highly, highly recommend. Such a pleasure

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