Perpetua 42: Escape the Rumbling Castle! 02
Friends at the Table
Friends at the Table
4.9 • 2.2K Ratings
🗓️ 29 May 2026
⏱️ 86 minutes
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Summary
As the northern edge of the Castle Eschatonica grows closer, the adventurers within begin to sense a change in the dungeon around them. While the Celestial Echoes that make up the hallways and rooms of the castle were once neatly separated, now it seems that the people and places from the various past Perpetuan worlds have begun to overlap and interact. In search of information, Brontë, Veile, Elena, and Caoimhe seek help from an otherworldly machine. Meanwhile, on the other side of the castle, a gang of otherworldly beings seeks help from the trio of Antistrophe, Jonathan, and Uncle Nicky.
This Week on Perpetua: Escape the Rumbling Castle! 02
Perpetua Guide [In Progress v.06]
Some Feedback [Page 64 of 65]
Doom_Tree_Anne
So, I HAVE to know… who is everyone's favorite Agony? Back in Imago 2: Ancestral Fault, I HATED Miss Mephitic, because I just thought compared to the other Agonies, she was a really boring design. Who cares about a bunch of vines!? But with the music box/ballerina re-design in this game… I think she might have jumped to the top of the list! I guess we have to wait and see if she keeps it going forward…
TheUnforgivenIII
My favorite is definitely Melo. That guy seems like he'd be cool to chill out with and listen to music with.
Alukard83
Wow, color me surprised Unforgiven! I thought you'd be an Ira guy, through and through.
TheUnforgivenIII
Why the hell would I like that stupid little idiot baby?
Alukard83
Well, now I think it might be a bad idea to tell you why. As for my favorite, this is the first time I'm really meeting them, but I gotta say, I really love Connie. I love it when something references something else, you know? And she's sort of a walking (well, rolling) reference machine!
TheDiamondRanger
What's An Agony? The strategy guide says they're like equipable spells but it sounds like they're NPCS too!?
CarlsSr
You're such a Wan.
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Transcript
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| 0:00.0 | You sense the layering of time and history, and you also sense people moving through these places, or creatures moving through these places. |
| 0:18.0 | You hear sounds, not just of things that are, you know, inside of any one room, but moving through the hallways. |
| 0:26.6 | The place feels big and layered, but you figure that you're moving in the right direction. |
| 0:32.6 | Veil, we know that you're able to do some rituals to kind of direct yourself towards an end, |
| 0:39.1 | and your side has been doing that. |
| 0:41.6 | Jonathan, you know where the air shames. |
| 0:44.0 | It's that way. |
| 0:45.0 | You have a kind of key sense in your body about where it is at this point. |
| 0:49.6 | And you're able to direct yourself, Nikki, and Antistrophe in that direction. |
| 0:53.6 | Jonathan, Nikki, and Antistrophe, you come to a door that is opening up into a big, octagonal |
| 1:02.1 | room. It is a space that you or I would recognize as a late 20th century gallery space. |
| 1:08.3 | You're stuck in here with these art pieces. |
| 1:13.5 | You've come to a bar? |
| 1:15.7 | It's a bar. |
| 1:16.3 | It has a bar. |
| 1:17.3 | It's empty right. |
| 1:19.4 | Actually, you should give me the roll. |
| 1:20.8 | Give me someone who's leading the travel. |
| 1:22.4 | Give me a D-10 in here. |
| 1:24.2 | Okay, Mabella. |
| 1:29.3 | Mabella is an M-PIC and cannot do the travel roll. That's a good, that's a good bit though. |
| 1:31.3 | I can do it if no one else wants to. |
... |
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