You're listening to pretty much pop, a culture podcast.

Perhaps starting a whole podcast just based on a creepy animation style seems to stretch but we thought we could do it

Today we're discussing the films of Tim Burton in light of Beatles juice beetle juice and his vast output since the early 80s as director and writer.

My name is Mark Linton Weyer and you don't have to say my name three times for me to show up in your

ears.

I'm Al Baker and I'm more of a beetle

kambutcha guy. I'm Sarah Lynn Bruck. Lawrence Ware, Lawrence Ware,

Say my name and I shall appear. My name is Lawrence Ware coming to you from the great city of

Oklahoma City Oklahoma right here in the middle of the country I'm living in a place where

Tim Burton would never make a movement.

As a foreigner, the places that Tim Burton chooses to make movies about to me seem like, like it's white picket fence suburban territory.

So which states is that coded around?

Is it like Connecticut?

Be it's a second Connecticut, isn't it?

That's right.

Is it that kind of area?

I think like Indiana kind of area, it just seems like that's the kind of place you think,

like you know a vast place where there's corn or something.

I don't know.

That's just what comes to mind for me even though I have no idea if he has any kind of representation or that kind of stuff in his actual films.

Well he's from Burbank and that's what I always think of and I'm very familiar with Burbank since I'm from California

but I always think of you know all of the houses that look the same.

...