So this special folk album award of the year episode of Folk on Foot is showcasing the extraordinary work of Peggy Seeger in the album Teleology.

And I'm delighted that I'm joined by Peggy and by her son,

Callum McColl. Welcome and congratulations on your nomination. Thank you very, very much.

I know Peggy, you wanted Callum to join us for a very particular reason. Can you explain that?

Well, I think too often the artist gets credit for things that

other people did, and there have been a number of comments in reviews of this album, where they

actually said the production was brilliant. One of the adjectives that was over and over, even by some people who don't

normally give those kind of reviews, like friends and things, they said that this album sounded

spacious. It gave you time and space in which to listen. You weren't rushing from one to the next,

and the ambience and the background,

a lot of it are, I mean, I probably shouldn't say this. Callan instigated independently,

knowing that I would like it. I mean... So he took it away and then did some work on it and then

brought it back to you.

Oh, yes, but I liked everything he did, going from Driftwood into no place like home,

where you go from a seascape with goals into a traffic that's all about people sitting on the road

and homeless and all that.

And I almost didn't realize that we were on the high street with the traffic.

I thought we were still at the seaside, Driftwood.

And Callum, he did that all on, but then his ability to do these things has always stunned

me.

Home, homeland, a place where we belong.

We had life there, now it's gone.

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