4.7 • 772 Ratings
🗓️ 22 July 2020
⏱️ 28 minutes
🧾️ Download transcript
Ravel's beautiful Pavane For A Dead Princess touches many people.
While it is not actually about a dead princess it does evoke a sense loss. For Carla van Raay it symbolises the loss of innocence she experienced after sexual abuse as a child which led her to make some difficult life choices.
Deal Hudson played it to prisoners in Atlanta and was moved by their reaction. At an academy for troubled teenagers in California the Pavane had a similar effect.
Genevieve Monneris comes from the town where Ravel was born on the border with Spain. Her film Henri and Pat tells the story of three French airman who were stationed in York during World War Two. Just days before Henri's plane was shot down the three young men went to a concert of Ravel's music in York. So the piece has a strong emotional meaning for Genevieve whose own father was also stationed with the RAF in York.
Professor Barbara Kelly of the Royal Northern College of Music explains the background to the Pavane's composition and why it appeals to the emotions in such a powerful way.
Although it was written at the end of the 19th century it became more widely known in the 1920s. That was when a young woman called Lucia Joyce daughter of James Joyce danced to it with her avant garde dance group. The writer Annabel Abbs tells Lucia's tragic story of how her life ended in a mental asylum and how she almost became the imaginary 'dead princess'.
Versions used: Pavane Pour Une Infante Défunte William Orbit Julian Bream James Rhodes Maurice Ravel Ravel Pavane arrangement for harp and cello
Producer: Maggie Ayre
First broadcast on BBC Radio 4 in 2020.
Click on a timestamp to play from that location
0:00.0 | The Traitors is back and so is that mysterious cloaked figure with the familiar fringe. |
0:06.7 | Yeah, it's me. |
0:07.9 | And when you've watched Claudia in the castle, join me, Ed Gamble, for the official visualised companion podcast. |
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0:27.1 | The Traitors Uncloaked. |
0:28.4 | Watch on EyePlayer, listen for more on BBC Sounds. |
0:33.2 | BBC Sounds, music, radio, podcasts. |
0:44.3 | My name is Carla Van Ray, and I was born in the Netherlands and came to Australia as a child when I was 12, and I was brought up by Catholic Church School and all that all my life really, |
0:49.3 | and became a nun when I was 18. |
0:51.3 | I stayed in the convent for 12 and a half years and was a very good nun |
0:56.1 | for 10 of those years anyway and then had to leave after 12 years and I'd been trained as a teacher |
1:02.6 | in the meantime and wasn't cut out to be a teacher at all and when the idea of prostitution ended |
1:08.6 | my head being a Scorpio I didn't really think twice. |
1:13.3 | So this virgin became a prostitute sort of overnight, but then came a time when it was time to leave that particular kind of work, and I could not. |
1:24.2 | I couldn't find a way to do it. |
1:26.2 | And that's when that music came in. |
1:31.1 | Pavan for a dead princess by Ravel. |
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