4.5 • 606 Ratings
🗓️ 24 December 2015
⏱️ 29 minutes
🧾️ Download transcript
Paul Murray's comic novel dramatizes an economic crisis in his native Ireland, one that imperils the vitality of Dublin's culture.
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0:00.0 | Hereby Monsters is a podcast about facing the unknown. I, uh, I start to float, float away from the earth. Have you ever smoked crack before? We're all kind of frantically searching for meaning. They have the neurotransmitters. I think we're all jugglers in some way. Yo, we're not broken. Crazy delinquents. We're in our last day, young man. Listen to Hear Be Monsters. |
0:22.4 | The podcast about the unknown. |
0:24.2 | On the KCRW iTunes page. |
0:30.3 | Funds for Bookworm are provided in part by Lannon Foundation. |
0:34.2 | Boots. |
0:39.2 | Where would we be without boos? |
0:43.1 | Where would we be without good? |
0:45.4 | No, to bird. |
0:46.9 | It's a rhetorical question, sir. |
0:50.2 | But where would we be without books? |
0:53.6 | From KCRW and KCRW.com, I'm Michael Silverblatt, and this is Bookworm. |
1:01.4 | Today I'm happy to have us my guest, Paul Murray. |
1:05.5 | He's a very, very, very funny Irish writer. |
1:10.1 | He's written three books, the most recent of which is called |
1:13.9 | The Mark and the Void. The second has the hilarious title, Skippy Dies, Death Being Always |
1:21.1 | a Funny Subject in Irish Literature, His First Novel, An Evening of Long Goodbyes. |
1:28.3 | Given this enormous history of comic writing that comes from Ireland, whether it's Swift or Wilde or Joyce or Flan O'Brien or Beckett, |
1:45.3 | does that put a special strain on you |
1:52.4 | to come from the country that has given us |
1:55.1 | our very best comic writing ever anywhere? |
1:59.0 | Yeah, there's a certain weight of history that every Irish writer has to labor under. |
2:05.0 | I don't know that it's a bad thing necessarily. |
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