You're only there once. You only get to do these scenes once on a film.

So like, you gotta leave it all out on the floor.

So because the film was shot somewhat economically,

we were able to do a fair amount of takes, sometimes a lot of takes,

and like, create an atmosphere where you can fuck up, you can fail.

Let's find a happy accident.

I'm Sean Fennesy, Editor and Chief of the Ringer,

and you are listening to a new and improved version of the Big Picture.

For the past two years, this has been a conversation show

with some of the most interesting filmmakers in the world.

And it is still that.

But we're expanding and spicing things up.

The show now has its own feed and a few new wrinkles.

Starting very soon on this feed,

I'll be co-hosting a weekly Academy Award show

with Ringer Culture Editor Amanda Dobbins.

We'll be previewing the races, examining the narratives,

and shining a flashlight on all the BS that surrounds Oscar season.

We're also going to have weekly exit survey episodes

where myself and other Ringer staffers will be diving deep

into the latest movie releases.

We're grappling with how to cover an industry and medium

...