From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to The Treatment. I'm Elvis Mitchell. You know, it's been way too long since Patty Jenkins made a movie. It played in theaters.

I met her.

This is how far back we go.

I met her at the premiere party from Monster in New York, just barely in the 21st century.

And here it is a scan 70 years later that we get to see her follow-up after flirting with a few other movies, Wonder Woman.

First of all, it's so great to have you here.

Thank you, Elvis. It's so great to have you here.

Thank you, Elvis.

It's so awesome to see you.

So great.

Like I was saying, before we got started being blinded by the glare from your bullets for bracelets over there.

It's great to talk to you about this movie because I am, I don't know if you know, I'm a big

comics person.

And let's start with that. Let's start

with the idea that Wonder Woman is one of the few comics in its original incarnation that had

the creator's name on it. And the creator's name was a pseudonym. But that also, that there is

an interesting kind of pop feel to it. But there was a density, I thought, to it. And when I was

talking to you about before

we got started, is that you don't confuse darkness for density, and you want to give this

movie density, didn't you? I did. Yeah. And I think, I mean, I think that the greatest thing

about comics and the reason that I love them, too, is that I feel that they have the potential

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