Let me ask you this as a club promoter and a club guy.

Well, former.

Former.

What makes it a movie and what doesn't make it a movie?

Well, I mean, first and the foremost, you need people.

Like, you know, if you are severely under capacity, it is not a movie.

It is a bad genre.

Something that you did didn't connect with the audience.

And at the end of the day um you know a smart

promoter such as myself which that's like an oxymoron really because most of these niggas

dog shit um at least philadelphia wise dumb as dog shit like you know now you talk about like

national promoters like you know J Galdon boy uh headliner um uh uh who else

uh miss diddy like people like that like the people that's promote on like a national

level that know what the fuck they're doing like yeah they they they smart strategic

people with like good relationships or whatever like that but for the most part the average

promoter yeah exactly he's he's fucking jean start as a valet parker and that he's the biggest

promoter in the fucking country.

You know what I'm saying? With relationships with every artist, like from fucking Jay-Z down to your cousin that just put a, like, man, yeah, AG, by to put me on tour, like how?

Like, you got one song, little cousin from the projects. So, what the fuck was you talking about what makes it a what makes it

the movie oh yeah so you need people so a good promoter a good smart promoter is going to

tailor his promotion around what the people want and what they want to see in order to draw people

in um you know an idea of like a bad promotional tactic is basically like making it all about you like if you a promoter

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