0:00.0	Hello, listener, and welcome to this preview of our latest Patreon exclusive episode.
0:06.1	To continue the conversation and listen to the full episode, head over to the Beyond the
0:10.4	Screenplay Patreon. The link is in the show notes.
0:14.8	Hello, patrons, and welcome to this patron exclusive episode of Beyond Screenplay, the podcast
0:19.6	where each episode we do a conversational deep dive analysis into a film.
0:23.9	Today we are talking about Rear Window, the 1954 film screenplay by John Michael Hayes,
0:30.5	directed by Alfred Hitchcock based on It Had to Be Murder, the 1942 story by Cornell Woolrich.
0:37.7	I'm joined by the Beyond the Screenplay team, of course, Tricia Arand.
0:41.3	Hello, everyone.
0:42.6	Brian Bittner.
0:43.7	Hello, hello.
0:44.7	And Alex Cayeros.
0:46.1	Hi.
0:47.0	Okay.
0:47.5	So let's start off by talking a little bit about why we're talking about
0:52.7	rear window.
0:53.4	So our fall season is just around the
0:57.8	corner. Keep an eye out and an ear out for an episode where we're going to be announcing the full
1:03.2	schedule. But we can say the theme is Auteur Autumn. Some of our greatest filmmakers have some new films coming out, and so we might be revisiting
1:14.9	some old films of theirs and looking at some of their new ones.
1:17.8	And so we thought it'd be fun to kick off this Auteur Autumn by looking at one of our earliest
1:24.2	atours, who kind of came up around the time that atour theory was getting popular.
	...

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