4.8 • 1.5K Ratings
🗓️ 4 January 2019
⏱️ 97 minutes
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| 0:00.0 | World War I wasn't represented in the randomly selected films we watch on this show for 20 episodes. |
| 0:09.0 | The first film we watched set during the Great War was the African Queen and we had to break with the |
| 0:14.0 | random selection model to shoehorn in all quiet on the Western front just in time |
| 0:18.6 | for the 100th anniversary of the armistice. The conventional wisdom is that it's a less filmic world war than its successor, |
| 0:27.0 | but that's kind of a simplistic way of understanding why there are so few films on our list that represent |
| 0:32.2 | it. |
| 0:33.5 | I think partly this owes to the fact that the war took place |
| 0:36.7 | very early in the history of cinema, |
| 0:38.6 | and perhaps its participants and observers |
| 0:41.6 | were less likely to use the conventions of film as a mental |
| 0:44.5 | framework for understanding the stories they had experienced. |
| 0:48.5 | The flurries of art, theatre, and literature that came out of Western Europe after 1918 and before the late 19-18. and |
| 0:54.0 | before the late 1930s |
| 0:56.0 | were paradigm shifting radical explorations of the trauma suffered by |
| 1:00.0 | and at the hands of those populations. |
| 1:03.0 | But remember that All Quiet came out in 1930 |
| 1:05.9 | and was the first talky to take home an Oscar. |
| 1:08.5 | This was a medium in its nascent, |
| 1:10.6 | and by the time it had matured, |
| 1:12.2 | a new Eurogenic global conflict had come and gone and |
| 1:15.6 | was an even bigger trauma to attempt to unpack and understand. It's interesting to |
| 1:20.4 | think about to what extent today's film is an exploration of World War II rather than |
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