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A Thousand Natural Shocks With Gabe S. Dunn

Palestinian Solidarity with Theater Workers For A Ceasefire

A Thousand Natural Shocks With Gabe S. Dunn

Gabe Dunn | Diamond MPrint Productions

Education, News Commentary, Self-improvement, History, Personal Journals, News, Society & Culture

4.52.6K Ratings

🗓️ 10 March 2026

⏱️ 31 minutes

🧾️ Download transcript

Summary

Jesse, of Theater Workers For A Ceasefire, talks about the importance of theater in the political space, divesting from Israeli state-sponsored, colonialist and imperialist theater, and coming into anti-Zionism as a Jewish artist. 


Links: https://theaterworkersforaceasefire.com/statement

https://www.bacbi.be/


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Transcript

Click on a timestamp to play from that location

0:00.0

You got told a lot of lies about achievement.

0:03.0

They called you when they got you to believe it.

0:06.0

Thumb and finger held to their foreheads in an L ship trapped in a capital of salescape.

0:10.0

Let's buy back in have some talks about class in the massive costs of the disasters brought to fascists and nots.

0:17.0

Fat cats and Fox.

0:19.0

It's a thousand natural shocks.

0:21.2

A Bad With Money podcast.

0:22.9

Hello and welcome to A Thousand Natural Shocks, A Bad With Money Podcast.

0:27.9

I'm your host, Gabe Dunn.

0:29.9

And with me today, we have Jesse.

0:31.7

Do you want to say where you're from and what you do and explain it in your own words for my audience?

0:36.4

Yeah, hi, everybody.

0:37.3

My name is Jesse.

0:38.4

I am an organizer with theater workers for ceasefire based in New York. We've been organizing

0:45.1

for the past couple years as a solidarity formation with the Palestinian Liberation Movement.

0:51.0

And yeah, we've been organizing theater workers around the support of the movement.

0:55.4

So was this connected to a union of any sort? How did you guys get connected to the broader

1:01.5

Palestinian movement? I can talk a little bit how we formed. There was an inciting action.

1:06.6

There was a performer who was in a production of the Chinese lady, which is a play by Lloyd-Sah.

1:10.7

If you don't know the Chinese lady in the last moment of the play, the character of Afang

1:14.8

Moy eventually is in the actors' street clothes to just sort of reflect the mirroring of history

1:22.2

between then and now.

...

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