Hi, Ayrtu. How are you? Good to see you. What's up, our two? Welcome back. Welcome back. All right. So the play call, 11 gun. Good job, Amelia. You're the man. I can't believe you, of all people, are the responsible one on this show. It's unbelievable.

11 gun, 118, 18, pony, Wiflex, F dummy, F dummy, F, dummy, right. It's going to be a fake pitch, 43 zone. So again, 11-gun, 11-1-18 pony Y-flex, F-dummy-Rot, 43 zone. You guys are going, what's the four, Clayton? What's the four? When you've got a four-in in the play call with a running play, it's your right halfback. So if you've got a split back field, now listen, we all know that our boy, Jaden Reed is the flyer, right? So most of the time you just call him the F. We're just going to show you a situation where if these were two running backs, that right halfback would represent the four, okay? So it's 43 zone. He's actually going to cut cut back 44 and you'll see why here in a minute. The way this whole line moves to left is really remarkable. So with the F dummy right, they're going to fake a pitch. So what's going to happen is Jaden Reed is going to dummy out and then do a little orbit and they're going to fake the pitch to them and these guys are really going to sell it they're going to act like they're blocking over here okay and what's going to

happen is it's going to be a 43 zone run so again for the right half back three would be the B gap left okay

a gaps one because you're going odd numbers to the left. So it'd be A gap one, B gap three.

So the run is designed right here.

Now what you're going to notice is everybody blocking down, man.

This is kind of that angle block that,

that traditional zone blocking scheme.

Watch how far.

It was designed for a 43 zone.

He cuts it back to what would be a 44.

All right. And what that four is would be the B gap, the outside of the guards hip on this

play. No, the outside of the tackles him. Look how many, look how far they move on this

play. Watch the fake pitch, right? Just to, yeah? Listen, I'm not saying anybody bought the sugar there, but that was the play that was designed right there. They were trying to get him to freeze with a little fake pitch, face swing, whatever you want to call it. And where do you see the box cam, but I really want you to key in on it. Look at our boy, Zach Tom, Sill off that inside right there. Here's the guy. You don't see him cut off of the guard, so it was the guard's hip. So that would have been 40, cut back 42, wasn't in a million? Am I thinking right? Look like it. Beautiful, beautiful design. I mean, we talk about all the time. The running backs can across the face of the quarterback 90% of the time. But what's always possible and open is those cutback lanes. You just have to have a running back that's going to see it. And Josh Jacobs is very skilled at that. Yeah. And the big thing here is Zach Tom just, take a second to appreciate Zach Tom's footwork. All right. Watch Zach Tom's footwork. Inside square up. Blank. Look at that lane. And again, look at the guard over here on this side, right? So this is your left guard. Okay. The only one gets beat is Rashid, poor guy. He got beat like a drum. But you see everybody blocking over blocking over this is your

right guards all the way on this side of the field and that cut back lane for josh jacobs you could

drive a truck to the super bowl do that thing look at that and then again making that just the

body control the lean here to make 45 or 35 minutes at 35 yeah and i think what he did was

roll that back a little bit more he gets 35 to suck in he gets 35 to come into the gap that's where

myr is able to get a hand on him say pass him off here so then 35's coming down oop then i put my

foot in the ground and I'm out of there.

Yeah, I'll see what you're saying now. So again, he's going to put his foot in the ground like he's going to stay with the original. Original. I'm going. I'm going. Oh, thank you. And then right here, watch this lean. Just lean out just a touch, right? Yep. You can miss. Now we're off to the races. Good work by Nacho Libre on that play too.

Yeah.

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