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Classic Ghost Stories

Out of the Deep by Walter de la Mare

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 15 April 2022

⏱️ 87 minutes

🧾️ Download transcript

Summary

Walter de la MareWalter de la Mare is most famous as a poet. He was born in 1873 in Charlton in south-east London not far from Greenwich. It was then part of the county of Kent but has now been gobbled up by Greater London. He was offered a knighthood twice but declined.De La Mare died in 1956, aged 83, in Middlesex.   He had a heart attach in 1947 and was left unwell until his death of another in 1956. He was highly regarded as a poet and  T. S. Eliot wrote a poem for his funeral service. His ashes are buried in the crypt of St Paul’s Cathedral.  His writings were a favourite reading matter of H P Lovecraft and admired by Robert Aickman and Ramsey Campbell.His family were originally French, from the Protestant Huguenots who fled persecution by the Catholic King of France. His ancestors had been silk merchants, but his father was a banker and his mother was the daughter of a Scottish naval surgeon.He disliked the name Walter and his friends called him Jack.When he was 17, he went to work for Standard Oil in the statistics department, but he was already writing and his first volume of work was published when he was twenty-nine.He married his wife, who was impoverished after meeting her the amateur dramatic society of which they were both members. They lived in Anerley, where I once lived, a rather nondescript part of South London next to the more famous Crystal Palace. They were apparently great entertainers and hosted many parties.Most of the fiction he wrote was supernatural fiction.His style is elegant but his sentences are complex with lots of sub-clauses making him nearly has hard to read out as Henry James. This is a story written to be read rather than read out, I think.Out of The DeepThe story unfolds slowly. Jimmie, an orphan boy has not been ill-treated by his uncle and aunt from what we hear, but he disliked their characters and was tormented by their butler Soames. It appears, though were are not told, that after he became a man, he left them and the hated house where he had been so unhappy and was reluctant to go back even after he inherited the house. As well as the physical torment of his time in the attic he had memories of things coming out of the wardrobe and the crab patterned paper that came alive. (Like the Yellow Wallpaper). He seems to have hated everything about his boyhood, including going to church, fatty meat and the ugly old-age of his relatives.  We learn from his aunt that he’s always suffered from anxiety and is timid. There is some tension between him wanting to be good little boy and feeling he never quite managed it. Although in his adulthood, he doesn’t seem to do much that’s bad. He seems to do his best. But he never rises above the pointless misery of the house. It’s all miserable and suffuses the story.He lies awake thinking like a fountain. He has little human company and appears to have cut off what friends he had before moving into the house as he if knew he was preparing for his death.He has his charwoman Mr Thripps who considers the house unpleasant and doesn’t want to sleep a night there for a plate of sovereigns, even though she would out of duty to Jimmie. I warmed to Mrs Thripps and though Victorian and Edwardian writers mostly portray the working-classes as idiots, thugs and criminals, there is a warmness to Mrs Thripps that makes her more likeable than Jimmie, though Jimmie does nothing to offend us really. I don’t know whether De La Mare intended that.Jimmie uses his witty speech to deflect from the deep despair and unhappiness in him.  He is quite nice to the tradespeople he meets and gives the impression of wanting to be cheerful and good tSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Everybody dies, don't they?

0:10.4

Everybody come back, isn't that?

0:14.4

You tried to get into the locked drawer today, didn't you?

0:17.4

How do the dead come back, mother?

0:19.9

What's the secret? Out of the deep, by, Mother. What's the secret?

0:21.4

Out of the deep

0:22.7

by Walter de la Mere.

0:26.7

The steely light of daybreak,

0:29.0

increasing in volume and intensity

0:30.8

as the east grew larger with the day,

0:33.7

showed clearly at length

0:34.9

that the prodigious yet elegant

0:36.9

Arabian bed was empty.

0:39.7

What might tenderly have cradled the slumbers of some exquisite fare of romance

0:44.1

now contained no human occupant at all?

0:47.6

The whole immense room, its air dry and thin, as if burnt, was quiet as a sepulchre.

0:57.0

To the right of the bed towered a vast and heavily carved wardrobe. To the left a lofty fireplace of stone flanked by its grinning,

1:03.0

frigid dogs. A few cumbrous and obscure oil paintings hung on the walls, and like the draperies

1:10.0

of a proscenium, the fringed and

1:12.5

valanced damask curtains on either side, the two high windows, poured down their motionless

1:19.1

cataract of crimson. They had been left undrawn overnight, and yet gave the scene

1:25.3

a slight theatricality, a theatricality which the painted nymphs

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