4.9 • 686 Ratings
🗓️ 15 April 2022
⏱️ 87 minutes
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0:00.0 | Everybody dies, don't they? |
0:10.4 | Everybody come back, isn't that? |
0:14.4 | You tried to get into the locked drawer today, didn't you? |
0:17.4 | How do the dead come back, mother? |
0:19.9 | What's the secret? Out of the deep, by, Mother. What's the secret? |
0:21.4 | Out of the deep |
0:22.7 | by Walter de la Mere. |
0:26.7 | The steely light of daybreak, |
0:29.0 | increasing in volume and intensity |
0:30.8 | as the east grew larger with the day, |
0:33.7 | showed clearly at length |
0:34.9 | that the prodigious yet elegant |
0:36.9 | Arabian bed was empty. |
0:39.7 | What might tenderly have cradled the slumbers of some exquisite fare of romance |
0:44.1 | now contained no human occupant at all? |
0:47.6 | The whole immense room, its air dry and thin, as if burnt, was quiet as a sepulchre. |
0:57.0 | To the right of the bed towered a vast and heavily carved wardrobe. To the left a lofty fireplace of stone flanked by its grinning, |
1:03.0 | frigid dogs. A few cumbrous and obscure oil paintings hung on the walls, and like the draperies |
1:10.0 | of a proscenium, the fringed and |
1:12.5 | valanced damask curtains on either side, the two high windows, poured down their motionless |
1:19.1 | cataract of crimson. They had been left undrawn overnight, and yet gave the scene |
1:25.3 | a slight theatricality, a theatricality which the painted nymphs |
... |
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