4.5 • 606 Ratings
🗓️ 19 January 2017
⏱️ 28 minutes
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In the first of two conversations with Ottessa Moshfegh, the author reveals that she doesn't feel comfortable in this world. Her characters long for another world, as does Moshfegh.
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:03.8 | Boots! |
0:06.0 | Where would we be without boos? |
0:12.0 | Where would we be without good? |
0:15.0 | No, Timberd. |
0:16.0 | It's a rhetorical question, sir, |
0:20.0 | but where would we be without books? |
0:23.8 | From KCRW and KCRW.com, I'm Michael Silverblatt. |
0:28.6 | This is Bookworm, and today my guest is Otessa Moschfeg. |
0:34.0 | She is the author of three books. |
0:37.3 | I'll name them in order. The first McGlew won the Fence Fiction Prize. |
0:45.5 | It's a novella, it's a sea-going yarn. It's an extraordinary book about dependency and about the forces, like the ocean, the things that operate beyond one's available intention. |
1:05.1 | The second book, Eileen, is a novel. |
1:09.8 | It was nominated for the Booker Prize. And the third, the |
1:16.5 | newest book, Homestick for Another World, is a book of short stories. They've been published |
1:22.9 | in the Paris Review, in The New Yorker, and I'm very interested because I think McClue, the first, is a contemporary |
1:37.7 | classic. |
1:40.7 | Eileen has been given a certain kind of pride of place by nomination for one of the |
1:49.0 | internationally major awards. |
1:51.0 | And the third, homesick for another world, has been given the kind of attention that people get |
1:59.0 | when they get accepted by the New Yorker, by the Paris |
2:02.4 | Review. |
... |
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