Othello and Blackface
Folger Shakespeare Library: Shakespeare Unlimited
Folger Shakespeare Library
4.8 • 878 Ratings
🗓️ 14 June 2016
⏱️ 35 minutes
🧾️ Download transcript
Summary
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| 0:00.0 | From the Folger Shakespeare Library, this is Shakespeare Unlimited. |
| 0:07.0 | I'm Michael Whitmore, the Folgers director. This podcast is called Teach Him How to Tell My Story. |
| 0:13.0 | It's a discussion that started out being about one thing and then turned into something larger. |
| 0:19.0 | Originally, we wanted to look at attitudes around the practice of blackface as it is applied to the performance of Othello over the centuries. |
| 0:26.6 | As you'll hear, though, we move from there to a much broader and richer conversation on many topics, |
| 0:32.6 | illuminated by the ideas of two young scholars who are bringing an exciting and new perspective to the |
| 0:39.1 | study of Shakespeare. Ianna Thompson is professor of English at George Washington University, |
| 0:44.6 | and Ian Smith is Professor of English at Lafayette College in Easton, Pennsylvania. Their thoughts on |
| 0:50.7 | race, history, and theatrical practice may leave you looking at Othello in |
| 0:54.9 | an entirely new way. |
| 0:57.1 | Ianna and Ian are interviewed by Barbara Bogave. |
| 1:00.4 | Ian, I'd like to start with a story that you tell about the time you were on a panel |
| 1:04.4 | at a Shakespeare conference, and it was about Othello. |
| 1:07.8 | And one of your fellow panelists kept insisting that Othello is not about race. So tell us about |
| 1:14.2 | that and your reaction to that. It was actually a seminar. So there were a group of us participating |
| 1:20.0 | in the conversation. And somebody asserted several times actually that Othello is not about race. |
| 1:28.7 | My sense is that he felt that this statement was supposed to be a corrective of some kind. |
| 1:35.5 | And a corrective in that people talk about Othello, being about race, |
| 1:38.6 | obviously there are a lot of references to race or to color, |
| 1:41.5 | and he was going to correct this simplistic reading? |
| 1:47.0 | Yes. I think on two grounds. One, he thought that perhaps historically, people weren't interested in |
| 1:54.5 | seeing the play in that way in Shakespeare's time, which, as you just suggested, is really sort of startling because of the |
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