But I love the idea of whenever I show up that like 20 to 30 seconds of something clearly designed to be played under a big monologue, like starting to play.

But that like in my real life, I'm aware of this music that's playing and I'm kind of at odds with it.

It's like it starts playing and like, just ignore it.

Like I know it's going to keep going for the full runtime.

Like I'm waving at the air like, no, no, stop singing, stop singing.

You have, like, Cynthia's music from Pokemon when it's like, oh, fuck, hardest battle in the game.

And then also, like, the fucking piano from the Guardians and Breath of the Wild.

I'm just imagining, like, like, a villain who's, like, trying to be, like, sinister, but then it's like, hold on the background is, I'm just giving

good advice. Stop

playing the minor key progression. I'm just

vibing, okay?

Basically, I want to break the fourth wall of my

real life with whatever the musical

sting that accompanies me is.

Hello and welcome to another episode of the overly sarcastic podcast.

I am blue and I'm joined by Red.

Allegedly, this is European drinking chocolate.

I've had European drinking chocolate before.

I'd like to see if this is true.

Let's find out. You've had drinking chocolate in Venice, the best you ever had. Oh my God, your face. That is good.

That's good. That's actually really good. I've found good hot chocolate. This never happens.

Wow. You heard it here first. Three days after we recorded it.

...