4.6 • 639 Ratings
🗓️ 13 January 2010
⏱️ 29 minutes
🧾️ Download transcript
"Intimate" and "confessional" are not adjectives you'd expect to hear in a film about the Iraq war. Director Oren Moverman's The Messenger looks at the collateral damage on the home front...
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0:00.0 | From KCRW in Santa Monica, this is The Treatment. |
0:13.8 | Welcome to The Treatment. |
0:14.8 | I'm Elvis Mitchell. |
0:15.7 | You can also hear the show at KCRW.com. |
0:18.3 | They also serve with over bad news to families damaged by war. |
0:21.6 | It's the story of the new film The Messenger. |
0:23.6 | Its director and co-writer, Oren Movement is here. |
0:25.6 | Oren, thanks for being here. |
0:27.6 | Oh, great to be here. |
0:28.6 | It could almost be a series of dialogues, theatrical dialogues. |
0:32.6 | And I wanted to first and foremost where the conception came from. |
0:35.6 | It actually came from my co-writer, Alessandro Kamoan. |
0:38.3 | A few years ago, we were having a casual conversation about the war. |
0:41.4 | He's from Italy. I'm from Israel. |
0:43.0 | We're outsiders, foreigners. |
0:45.1 | And we have our sort of outsider somewhat sentimental, actually, perspective on living in this country. |
0:51.1 | And we brought up the idea that, you know, the families, the returning soldiers, |
0:56.5 | the people who have to live with the consequences of the war, are not being talked about or |
0:59.9 | approached or even seen. And he thought of casualty notification as a great way to sort of enter |
1:05.3 | their stories, obviously a very dramatic, tragic way, but the one that kind of opens up the |
1:10.4 | world of families that are |
1:12.2 | associated with the military and pay the consequences of the decision to go to war in a way |
... |
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