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The Journal.

One Hollywood Writer on the Industry’s ‘Dire’ Situation

The Journal.

The Wall Street Journal

Business News, News, Daily News

4.25.8K Ratings

🗓️ 4 May 2023

⏱️ 22 minutes

🧾️ Download transcript

Summary

Thousands of Hollywood writers went on strike this week after failing to reach a new contract with studios. The dispute was caused, in part, by the industry’s shift to streaming, which writers say has left them shortchanged. Michael Schur is co-creator of “Parks and Recreation” and was a writer for “The Office” and “Saturday Night Live.” He tells us what’s behind the first writers strike in over 15 years. Further Reading and Watching: - Hollywood Writers Strike Might Give Studios Chance to Slash Costs - Late-Night Shows Go Dark Amid Writers Strike Further Listening: - Does the Future of Streaming Look More Like Cable? - Netflix Turns to Ads Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

On Tuesday, more than 11,000 television and film writers went on strike.

0:26.4

Members of the writers' guild of America and among those on the picket line was Michael

0:31.2

Schur.

0:38.2

Mike co-created shows like Parks and Recreation, Brooklyn 9.9 in the good place and he's

0:43.4

written for the office in Saturday Night Live.

0:46.5

Now he's one of the members of the guild's negotiating committee.

0:50.9

So you're on strike?

0:52.5

Now how does that feel?

0:54.2

Yeah, it doesn't feel good.

0:56.2

I mean, I'm not sleeping well.

0:58.9

None of us is.

1:01.0

And I think it is just a testament to how dire we think the situation really is that we

1:05.6

felt that we had no choice but to do this.

1:08.6

Mike says streaming services have completely upended how writers get compensated and made

1:13.5

the profession incredibly unstable.

1:19.8

And we see where this is going and where it's going is a gig economy and that's not a

1:25.5

recipe for long term success and it's not a system that will allow writers to have careers

1:31.5

and lives basically.

1:33.3

So we're just saying like we see the future and it's dire and we have to do something about

1:38.0

it now or it'll be too late.

1:39.7

So you feel like this is like more existential than just, you know, we need more compensation.

1:46.1

Yes, 100%.

...

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