Navarro-FM now has its own dedicated inbox. You can write in, we talk questions, comments, criticisms and quibbles,

to FM at Navarro Media.com. We've had some very interesting suggestions for people we might have on the show in the future,

as well as the many comments we've received about episodes just released.

That's FM at Navarro Media.

Thanks for listening. Frederick Jameson is an American Marxist cultural critic, perhaps the most important

one of the late 20th century.

He's famous in an actually famous, famous kind of way, for writing about what is often called

postmodernism as the cultural logic of late capitalism, but his work goes far deeper and

broader than that.

He's written about the film Jaws, about Hegel, about architecture,

and the utopias of science fiction,

and is possibly the originator of the phrase

that it is easier today to imagine the end of the world than the end of capitalism.

It is also one of the main influences behind Anna Corn Blues work who we interviewed a few episodes back.

You can find that under the title,

Critical Theists Hate This One Weird Trick,

wherever you're listening to this.

Jameson's work is endlessly supple, endlessly

historicizing, endlessly dialectical. But what does that actually mean? What

exactly the dialectical method is is a slippery fish. But in this interview, Cianna Gagans my electrical is,

but in this interview,

Siena Guy describes it as treating concepts as narratives

...