NOCTRANS Ep 42 - 'The Horror In The Museum' part 2 of 2
NOCTURNAL TRANSMISSIONS : dark tales, both old and new, performed by voice artist Kristin Holland
SpectreVision Radio
4.8 • 695 Ratings
🗓️ 28 November 2018
⏱️ 56 minutes
🧾️ Download transcript
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| 0:00.0 | Hello, gentle listener, and welcome to nocturnal transmissions, the fortnightly podcast that brings you dark tales both old and new, performed by voice artist Kristen Holland. We do hope you enjoyed |
| 0:26.5 | the first installment of our two-part presentation of Hazel Heels, The Horror in the Museum. |
| 0:35.8 | If you haven't listened to this previous episode yet, I strongly recommend you stop listening |
| 0:42.5 | to this one now and go back and listen to part one. |
| 0:49.0 | I mean, what are you thinking? |
| 0:52.9 | This episode clearly says part two. |
| 0:56.7 | Why would you deliberately go about ruining the story for yourself |
| 1:00.2 | by listening to the conclusion before consuming the commencement? |
| 1:04.3 | This second chapter is obviously the dessert, |
| 1:07.1 | and you haven't even touched your chicken frigasy! |
| 1:13.5 | For the rest of you, lovely listeners, who have diligently listened to our previous |
| 1:18.3 | installment, please sit back, relax and allow your mind to drift into its darkest recesses as we rejoin our skeptical protagonist, Mr. Jones. |
| 1:34.6 | When we left him a fortnight ago, he had just accepted the challenge to spend the night alone within the dark confines of Mr. Rogers' Museum of Waxon Abominations. |
| 1:51.3 | Nocturnal Transmissions is proud to present part two of Hazel Heald's The Horror in the Museum |
| 2:04.3 | Later, in the utter blackness of the great arched cellar, |
| 2:14.6 | Jones cursed the childish naivety which had brought him there. For the first half-hour, he had kept flashing on his pocket-light at intervals, but now, just sitting in the dark on one of the visitor's benches, had become a more nerve-wracking thing. Every time the beam shot out it lighted up some morbid, but grotesque object. |
| 2:38.5 | A guillotine, a nameless hybrid monster, a pasty bearded face, crafty with evil, |
| 2:45.9 | a body with red torrents streaming from a severed throat. |
| 2:51.4 | Jones knew that no sinister reality was attached to these things, |
| 2:55.7 | but after that first half hour, |
| 2:58.8 | he preferred not to see them. |
| 3:04.6 | Why he had bothered to humour that madman he could scarcely imagine, it would have been much simpler merely to have left him alone, or to have called in a mental specialist. |
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