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The Working Songwriter

Noah Gundersen

The Working Songwriter

Joe Pug

Music, Music Interviews, Performing Arts, Arts

4.91.7K Ratings

🗓️ 31 March 2017

⏱️ 63 minutes

🧾️ Download transcript

Summary

The Seattle-based songwriter talks about holding down dead-end jobs to continue playing music, the myth of the flighty artist, and the process for composing his upcoming album.

Transcript

Click on a timestamp to play from that location

0:00.0

Hello and welcome to the working songwriter the show where today's best songwriters come to talk shop. I'm your host Joe P. Each episode here we host a distinguished guest and we ask them to go deep,

0:27.6

on their inspiration, on their process, on the general ups and downs of making a life in music.

0:34.0

So whether you're a grizzled veteran,

0:37.0

wondering why no one is paying the asking price on eBay

0:40.0

for your 1997 Parker Fly, or else a scrappy upstart, desperately

0:46.9

searching for the old school marble composition books that don't have those

0:50.7

ugly Manila three section dividers in them.

0:54.0

This is your show, because ultimately it is what every writer seeks most,

0:59.0

an ironclad excuse to put off actually writing.

1:03.0

Hey everybody, it's the last Friday of March 2017,

1:11.0

and before we get to our regularly scheduled program we have a very very

1:17.8

important farewell to bid. The You're going to be here. You're going to. Born. Born Charles Edward Anderson Berry in

1:55.0

Charles Edward Anderson Berry in 1926 Chuck Berry grew up in a segregated middle class neighborhood in St. Louis.

2:04.0

Barry earned a degree in cosmetology and worked for a time as a beautician.

2:10.0

He began playing in local bands in the 1950s, notably a trio led by piano player Johnny Johnson

2:16.5

and eventually Muddy Waters arranged a meeting for him with Leonard Chess of Chess Records in Chicago.

2:26.4

Chuck took an old standard song named Ida Red

2:30.3

and rechristened it, Maybeline. The song made Barry a star, reaching number five on the

2:37.1

Billboard pop chart and number one on the R&B charts. Alan Freed, the DJ widely credited for introducing the term rock and

2:46.1

roll to mainstream radio, put the song in heavy rotation in exchange for a

2:52.3

writing credit. That sort of quid pro quo is now just a

2:58.1

spooky ghost story that songwriters tell their kids at night but it was all too real then, and it became the nation's first

...

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