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It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being.

We may be true with the past, but the past is not through with us.

Welcome to the next picture show, a movie of the week podcast devoted to a classic film

and how it's shaped our thoughts on a recent release.

I'm Tasha Robinson, here with Scott Tobias and Genevieve Kosky. Keith Phipps is out getting his hair dyed a startling neon color, so he will not be joining us for this episode. But that's fine because we want to keep things as fleet and on the go as possible, and a fourth host would just weigh us down when we're on the run. This week, we're talking about two movies built around a jittery energy and keeping things moving. Genevieve, you want to move us along to the next thing here? Sure. First up,

we'll talk about Run Lola Run, Tom Tickver's art house hit about a woman who has 20 minutes to produce

the equivalent of about $60,000 to save her feckless boyfriend from a gangster who's likely to kill him.

That film, released in Tickver's

native Germany in 1998, was an international breakout in an era where that was much more of a rarity.

It's easy to see why it captured people's attention. It's action-driven and easy to follow,

but it's also a signature piece, a stylish autourist experiment in storytelling that's unlikely

...