And to you monsters trapped in the corridors, be still and give up your spirits.

They don't belong to you.

For most of you, I believe there is peace and perhaps more, waiting for you after the smoke clears although for one of

you the darkest pit of hell has opened to swallow you whole so don't keep the devil

waiting friend.

Gee, Scott. I know we didn't get along all the time, but condemning me to hell seems a bit extreme.

Seriously, though, can we turn on some air conditioning here or something, it's getting a bit warm in here. Hello internet. Welcome to Game Theory. Now, NAF6 was a very different game

from any of the ones that came before. Not because it had a weird roller coaster

tycoon-esque metagame connecting all the security camera

maintenance you've come to know and tolerate from this series, but because it's

much more explicit than usual. This game has a lot of talking accompanied by clear

visual storytelling to reinforce what you're hearing meaning that a lot of the

major plot points of this game are fairly easy to understand which has got to be like a first for the entirety of this

franchise.

Knaf6 is filled with a sense of finality.

It's clearly meant to tie up all the loose ends and serve as the last game of the series.

Or, let me be clear, the last part of the series covering what I'm going to call the

Purple Guy Saga.

It's like Dragon Ball Z up in here.

A saga which begins with a series of murders that result in animatronics coming to life,

continues with the Afton family meeting with a series of terrible fates and ends with the spirits of everyone involved

getting closure one way or another.

...