Hey everybody Marcus here. Thank you so much for the fantastic response we got on the first episode of No Dogs in Space

Here for your consideration is the second episode just in case you haven't checked it out yet

Of course listen to part one before you listen to part two

But if you want to hear parts three and four go subscribe to no dogs in space

We're gonna be covering so many fans this season. We're gonna be covering

Suicide the damned joy division the Ramones the missfits the cramps and many many many more

So please subscribe to no dogs in space. Thank you all very much for listening

Did you drop your daily dose of acid this morning?

You know baby before every single performance that's a little known fact that most people don't know about me

Is that I take two tabs of acid before every single podcast good acid being B12

Welcome to no dogs in space everybody I'm Marcus Parks. Oh, and I'm Carolina Hedalgo and we're continuing today

With the story of the stuges. Yeah, the second part is always the meteor part

Really is like on the second part we're gonna be covering the first two

Stuges albums and along with fucking everything else that happened around those albums. Yeah, and oh a lot of it

So when we last left the band the stuges were still experimenting with the stage personas that will come to define them as one of the most

Confirmed and exciting live groups of the late 60s and early 70s

The thing about artists like the stuges who do something totally new is that those groups don't appear just fully formed on stage from the outset

And usually when you're doing something new the road to genius is pretty goddamn rough

See when the stuges first started while they did see that the hippie scene was essentially vapid and empty

Stuges saw that shit immediately

They still had the hippie like optimism and their experimentation with the avant-garde because the stuges started off as an avant-garde band

Oh, yeah, don't forget the ostriser. I've calc and I haven't figured the ostriser

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