4.6 • 639 Ratings
🗓️ 29 February 2012
⏱️ 28 minutes
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Filmmaker Nina Menkes discusses her collected works, now in a retrospective at the UCLA Film & Television Archive and following at the Anthology Film Archive in New York.
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0:00.0 | From KCRW, Santa Monica and KCRW.com, this is The Treatment. |
0:15.7 | Welcome to the treatment, what you can also hear, KCRW.com. |
0:19.9 | I'm honored to have my guest filmmaker Nina Minkis here today. |
0:23.2 | There's going to be a retrospective of her work in New York in Los Angeles, L.A. through |
0:27.1 | March 7th, New York, March 9th through the 16th at the Anthology Film Archives in New York, |
0:32.3 | my neighborhood and UCLA Film Archives, the UCLA Film and Television Archive of the Billy Wilder Theater when it's here through March 7th. |
0:40.0 | First of all, Nina, I was telling before we got started, I really do think of you in that group of select filmmakers who were instinctive filmmakers. |
0:46.4 | I said before, Juan Carwai and George Miller and Antonio, people who think through the camera. |
0:52.9 | And I'm guessing is that sort of thing where, because you started just shooting very young and working as a photographer, |
0:59.1 | I even sort of think there's that kind of weird sort of intersection between someone like Robert Kappa and directors in your work. |
1:05.2 | Would you agree with that? |
1:06.9 | I came to photography. |
1:10.1 | I started doing photography when I was a teenager, still photography, |
1:13.5 | and I was also a dancer. And then I thought I was going to be a dancer. And I was living |
1:22.0 | with some people in a house. Anyways, it's not that interesting of a story, but I ended up making a dance film. |
1:29.9 | And that was my first experience of, like, movement. |
1:34.4 | And I kind of, like, got so excited about photography and movement and composition. |
1:40.3 | And so, you know, I always, like, came from that place of intuition as opposed to a place of storytelling dialogue. |
1:46.2 | And I wonder if you agree, it's a real emotional narrative. |
1:48.8 | Yeah. |
1:49.2 | Rather than that kind of ABC storytelling. |
1:52.1 | I mean, one of my favorite films of yours is the great sadnesses are horror, which I really feel like I said to even before we got started, is like this subconscious version of a David Lean movie. |
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