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To do this hobby right, according to the ways of the masters,

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If not, break it.

Yeah.

To break international laws.

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I'm Jesse Thorne. Nile Rogers was there for the very start of disco.

His songs can be big, almost over the top. Sheiks LaFreek, Diana Ross's I'm Coming Out.

That's kind of the point. But when's LaFriek, Diana Ross's I'm Coming Out. That was kind of the point.

But when Rogers is crafting a song, he also pays attention to the little things. Take one of his first hits with Sheik. Everybody Dance. Everybody dance. Do do do, do. Clap your hands. Clap your hands.

I remember I played that for Bernard Edwards the first time,

and it was all complicated with these hip jazz chord changes. And he said to me, uh, my man, you know, it's happening. But, uh, what does do do do do do mean? And I said, well, you know, it's the same thing as la la la. He said, well, why did you say that? And I said, because do-do-d-do is hipper.

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