You're listening to Nightmare on Film Street.

The current time is 666.

Traffic is clear ahead from here to the afterlife, but it's hell outside.

For the next hour, you're on Nightmare Time.

So, let's give a grave welcome to our hosts John and Kim.

Hello again fiends and welcome to Nightmare on Film Street. I'm Kim. I'm John.

And this week we are doing something new. It is normally an off week here for Nightmare on Film Street, but we are introducing

this new, fun sporadic podcast that's going to happen occasionally throughout our regular podcast release schedule called Nightmare

Alley and it's where we get to interview a friend or a somebody we're a huge fan of,

all of the above, filmmakers, creators in the horror genre,

and just chat for a little bit and talk about projects they're working on, things they're

interested in. This is something that we've wanted to

kick off for a real long time, so I'm super excited. Yeah, it's like a little intermission

between our regularly scheduled episodes. Like an intermission interview or a side scream. This is me just opening you up to all the possible

all the titles we had. Like I'm trying to think of this any other that I can just drop in now

before it's gone and done. There were a lot of

maybe. There was a big maybe pile. But I like Nightmare Alley. It's great. It's a little

side street in the NOFS podcast map. It's gonna be a lot of fun and I've

really been looking forward to it. I'm glad we are finally here.

Yeah, it's a great way for us to kind of deviate from our original format. I mean the current, the main format of

Nightmare on Film Street doesn't really allow for a lot of extra voices and stuff while kind of retaining our candidness.

So we're going to use Nightmare Alley to get a chance to talk to people in the industry and especially during quarantine time I think we're going to have a lot of fun with this new platform so I can't wait to see what kind of conversations we get going.

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