Night Waves - Dystopia & Mexico
Arts & Ideas
BBC
4.2 • 599 Ratings
🗓️ 3 July 2013
⏱️ 45 minutes
🧾️ Download transcript
Summary
Two new dystopian novels by the scientist Susan Greenfield and academic Martin Goodman give Matthew Sweet the chance to ask whether dystopias ever really go away, and even if they don't do they ever say anything constructive about the future? Henry Gee joins the discussion. Director Ben Wheatley's latest work A Field In England sits squarely in the middle of the honourable tradition in British cinema of horror films set in the country. Wheatley joins Matthew along with the writer Iain Sinclair to discuss the genre. And Matthew reviews the Royal Academy's latest exhibition 'Mexico: A Revolution in Art,1910 - 1940,' with Sarah Kent and Amanda Hopkinson.
Transcript
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| 0:00.0 | Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, it's a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that at some level of genius. It also helps that it's a long time ago, right? |
| 0:23.4 | It's like the podcast version of telling your kids the ice cream van plays music |
| 0:27.0 | when it's out of ice cream. |
| 0:28.9 | Listen to evil genius on BBC Sounds. |
| 0:32.1 | This is a download from the BBC. |
| 0:34.1 | For more information and our terms of use, go to BBC.com.uk slash radio three. |
| 0:40.6 | On this edition of Nightwaves, the horrors just over the horizon and an ancient evil from under the English soil. |
| 0:47.7 | You are confused, sir. It is I who I'm capturing you, not the other way round. |
| 0:56.8 | Do you not concern yourself with bravery and I went ahead. |
| 1:01.2 | It is official. |
| 1:04.1 | You're my, Prisma. |
| 1:06.2 | Now you will find the treasure in this field, |
| 1:09.1 | and they will dig it up, and I will claim it. |
| 1:16.7 | A field in England, a mind-bending film set during the English Civil War. Later, we'll |
| 1:22.2 | ramble through the sinister green spaces of pastoral horror, with its director Ben Wheatley |
| 1:27.2 | and the writer Ian Sinclair. |
| 1:29.2 | We'll also anticipate the terror yet to come as we explore dystopia with the neuroscientist Susan |
| 1:34.9 | Greenfield, who's written a novel set in the worst of all possible worlds. |
| 1:39.4 | First, though, a kind of utopia as conjured in 20th century Mexican art. |
| 1:43.9 | While the eyes of Europe were |
| 1:45.6 | turned towards the Western Front, the Mexican Revolution was bringing socialism to the nearest |
| 1:50.6 | neighbour of the United States. Art became part of that project as the young state engaged |
... |
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