Night Waves - Bernard Rose, Public Inquiries, TB, Mughal India
Arts & Ideas
BBC
4.2 • 598 Ratings
🗓️ 21 December 2012
⏱️ 45 minutes
🧾️ Download transcript
Summary
Bernard Rose, whose new film Boxing Day is a modern rework of Tolstoy’s Master and Man, is in conversation with Philip Dodd. In a year when public inquiries have been especially resonant, we consider what we mean by ‘the public’ and its right to justice. Historian Helen Bynum talks about the history of tuberculosis and how the disease has been romanticised in culture. And Radio 3 New Generation Thinker Nandini Das spots an unexpectedly seasonal image in the British Library’s new exhibition about Mughal India.
Transcript
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| 0:00.0 | Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, it's a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that at some level of genius. It also helps |
| 0:21.2 | that it's a long time ago, right? It's like the podcast version of telling your kids the ice cream |
| 0:26.1 | van plays music when it's out of ice cream. Listen to evil genius on BBC sounds. |
| 0:32.1 | This is a download from the BBC. For more information and our terms of use, go to BBC.com.uk slash radio three. |
| 0:40.5 | On tonight's programme Tolstoy's Master and Man, filmed under the title Boxing Day by Bernard Rose, |
| 0:47.9 | who some years ago had a Damascus Road conversion from horror films to the great Russian writer, |
| 0:56.4 | a conversation with the director soon. |
| 1:03.1 | No one can doubt we're living through a public inquiry era, from the Iraq inquiry to this year's Leveson. |
| 1:09.3 | But do we trust such inquiries, or even know what the public is? Did we ever? |
| 1:11.8 | Later we discussed the idea of the public from the 18th century to the present. |
| 1:14.4 | Plus, I can't think of any other disease |
| 1:17.4 | that's horrible, |
| 1:19.1 | but has, due to some of its victims, |
| 1:21.9 | a certain strange glamour. |
| 1:24.4 | Inside, oh, my God. |
| 1:28.3 | Oh, Mary, |
| 1:29.3 | Oh, |
| 1:31.3 | Mary, |
| 1:32.3 | and |
| 1:33.3 | love |
| 1:34.3 | for me |
| 1:36.3 | for |
... |
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