4.8 • 1.6K Ratings
🗓️ 2 March 2021
⏱️ 47 minutes
🧾️ Download transcript
Friedrich Nietzsche’s masterpiece The Genealogy of Morality (1887) sets out to explain where ideas of good and evil come from and why they have left human beings worse off. He traces their origins in what he calls the slave revolt in morality. David examines the ways Nietzsche’s story unsettles almost everything about modern social conventions and leaves us with the troubling question: what can possibly come next?
Going deeper:
Hosted on Acast. See acast.com/privacy for more information.
Click on a timestamp to play from that location
0:00.0 | Hello, I'm Catherine Carr, producer of Talking Politics. In today's episode of History of |
0:18.2 | Ideas brought to you in partnership with the London Review of Books, David looks at |
0:22.8 | the thought of Friedrich Nietzsche, one of the most influential and controversial philosophers |
0:28.0 | of modern times. Nietzsche wanted us to rethink almost everything we believe about morality |
0:34.0 | and to question the conventional difference between good and evil. Was he mad? Or was he |
0:39.8 | on to something? |
0:57.5 | In the first series of History of Ideas, I sometimes associated the authors I was talking |
1:02.4 | about with a catchphrase, so Hobbes famously had nasty brutish and short. Tockville, the |
1:09.9 | tyranny of the majority, Hannah Arendt, the banality of evil, and so on. The author I'm talking |
1:15.5 | about today, Friedrich Nietzsche, had two catchphrases. They literally are almost |
1:22.1 | t-shirts slogans. You can see them on posters, on t-shirts, along with his extraordinary haunted |
1:28.5 | face and his even more extraordinary bushy moustache, he is extremely recognizable. The two |
1:35.0 | catchphrases are God is dead and the will to power. And between them, they give a kind |
1:43.7 | of very pithy summary of Nietzsche's genius, but they don't give a summary of his genius |
1:50.2 | on their own. So if you take them separately, there is nothing particularly profound about |
1:54.5 | them, or really particularly original to Nietzsche. So the idea that God is dead is essentially |
2:00.4 | saying that religion, particularly Christian religion, has been exposed. It's been revealed |
2:06.8 | as a kind of construct. It's not something that comes to the human experience from outside |
2:12.0 | from above. It comes from inside. We made it. It's an expression of us. It's not a way |
2:18.0 | of defining us through something supernatural. And that idea that it's a construct, and therefore |
2:24.4 | it's a kind of veil. It was an original to Nietzsche and many people in the second half of the 19th |
2:30.4 | century when he lived when he rode. We're saying something similar. So this was a thought that came to |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Talking Politics, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Talking Politics and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.