Sitting around the back porch, sipping on our Coors light, watching the sun fade away,

just another summer night.

I'm looking at you, my baby, you're my country crock girl.

Let's get back to my truck, I try my luck i'm gonna rock your world

let's see you move let's see you shake charge your batteries by the lake i'll change your

eyes replace your hair take you in for a repair a robot riley. Robot Riley, you're my love.

Yeah, Robot Riley, I'm in love.

Maybe you don't feel, maybe you're not real, but Robot Riley,

I got you on sale.

Yeah, I got you on sale.

On this episode of the commercial break.

I disliked everything about them from the beginning, mainly their music.

Like, it started with their music, but then went on to everything else. And I don't have anything against, like, the guys, okay, I'm sure they're fine, human beings. But the music. It started with their music, but then went on to everything else. And I don't have anything against, like, the guys, okay, I'm sure they're fine human beings, but the music is terrible. I mean, we can all admit, the music is terrible. And people will be like, no, it's catchy, man, it's good rock and roll. No, it's not. It's manufactured in a popcorn machine and, like, you know, spoon fed through pop radio. It's not good music. Nothing about it.

The lyrics aren't good. The singing's not good. The music part of it. The musicality isn't good. Nothing's good. And I see them at the Iowa State Fair in front of 100,000 people. And the 100,000 people that I saw in that crowd are the 100,000 people that you would expect to be at the Nickelback concert. The next episode of the commercial break starts now.

Oh, yeah, cats and kittens.

Welcome back to the commercial break.

I'm Brian Green.

This is my dear friend and the co-host of this show, Chris and Joy Hoadley.

Best to you, Chris.

Best to you, Brian.

Best to you out there in the podcast universe.

As a five tracenna dolphin, I will let my dolphin knowises fly, Chrissy.

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