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The Great Women Artists

Natalie Lettner on Maria Lassnig

The Great Women Artists

Katy Hessel

Arts

4.8 • 944 Ratings

🗓️ 28 July 2020

⏱️ 54 minutes

🧾️ Download transcript

Summary

In episode 35 of The Great Women Artists Podcast, Katy Hessel interviews the world-renowned art historian and biographer, Natalie Lettner, on the FASCINATING and BRILLIANT Austrian-born artist, MARIA LASSNIG (1919–2014) !!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW. This is one of the most interesting life stories I have ever heard of an artist whose work I am COMPLETELY blown away by. Known for her psychologically charged figurative paintings, Lassnig's work is based on the extreme observation of the physical presence of the body – what she termed ‘body awareness’.  Born in 1919, in a small town in southern Austria, Maria's mother gave birth to her out of wedlock and later married a much older man, but their troubled and tempestuous relationship meant Lassnig was raised by her grandmother, who hardly spoke to her since she was six. Studying at the Academy of Fine Arts in Vienna in the midst of the Second World War, where she was only exposed to classical and academic art, Lassnig quickly moved away from the state-approved academic realism and travelled around Europe in search of the avant-garde.  After experimenting with surrealism, abstraction, expressionism and constantly being treated lesser than her male counterparts, at age nearly 50 Lassnig moved on to NYC to join forces with the feminist movement. And it was here where her work turned to external realism and painted portraits, nudes and still lifes, at times combining these with her ‘body awareness’ self-portraits. Recording her psychological states through a direct and unflinching style, her work used garish greens, yellows and blues to giver her paintings a POWERFUL and DRASTIC impact.  Maria Lassnig painted like NO OTHER in the history of art. With such conviction, force, and lack of embarrassment. She was not afraid to reveal anything.  This is one of the most fascinating stories of an artist I have ever SEEN. An artist who almost predicted the influence of technology through her paintings (in the 80s she became obsessed with the machine, and addicted to television!!).  Please listen to this sensation of an episode with the brilliant Natalie who tells her story so well. Only to be recognised with a major exhibition at the age of 89 at the Serpentine Galleries.  WORKS DISCUSSED IN THIS EPISODE! You, or Me (2005) Expressive Self Portrait (1945) Beams (1950) Head (1956) Self Portrait as a Monster (2005) Self Portrait with Stick (1971) Chain of Tradition My Teddy is more real than me (2002) Hospital (2005) Further reading:  https://www.hauserwirth.com/artists/2795-maria-lassnig https://www.tate.org.uk/whats-on/tate-liverpool/exhibition/maria-lassnig Natalie's brilliant book! https://www.abebooks.co.uk/Maria-Lassnig-Natalie-Lettner-Brandst%C3%A4tter-Verlag/22323627600/bd This episode is sponsored by Alighieri  https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off!  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Transcript

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0:00.0

Hello and welcome to the Great Woman Artist podcast. I hope you are all doing well. I am so delighted to say that this podcast is brought to you by one of my favourite jewellery. Alighieri is a collection of jewelry, inspired by Dante Alighieri's Divine Comedy. Each piece corresponds to one of the poet's 100 poems. As the

0:23.5

pilgrim journeys through the realms of hell, purgatory and paradise, he encounters mythical

0:28.7

creatures, scragy landscapes and terrifying demons. Just like Dante's subjects, each piece of jewelry

0:35.5

is battered, imperfect, and a little bit melancholy. Every piece

0:39.7

tells a story, embodying a modern heirloom that will travel with you on your own adventures. I am so

0:46.0

excited to announce that from August 1st to the 22nd, the gates of Aligieri Old Town will be open,

0:52.8

bringing loved ones together to reunite, shop, dine and

0:56.6

explore in an old Italian piazza, placed in the centre of London. Close to Old Street Station,

1:03.4

Ford Dingley Place will be transformed into an Italian utopia, transporting you to the holiday

1:08.8

that 2020 has not yet allowed. The town will offer

1:13.0

Allegieri's signature modern heirlooms, bespoke talismans, flash treasure trove discounts, and one-of-a-kind

1:19.4

souvenirs. In the heart of the piazza lies Casaluna, the town's oldest restaurant, where they serve

1:25.8

antipasti, hand-wold pasta and dolce.

1:29.0

Visit allegieri.com.com.com for more details and to book your shopping appointment in the

1:34.2

Allegieri Old Town or to book dinner at Casaluna. Meanwhile, Aligieri will be donating 10% of all

1:41.3

online orders to refuge. And I hope you enjoy this episode.

1:50.1

Hello everyone and welcome to The Great Women Artist podcast with me, Katie Hessel.

1:58.3

Some of you might know me from The Great Women Artists. An Instagram account,

2:01.8

I set up in October 2015, which celebrates female artists on a daily basis, ranging from

2:07.5

young graduates to old masters. Well, in a similar fashion to the Instagram, this podcast is all

2:14.0

about celebrating female artists from a variety of backgrounds and histories. And I am so excited

2:19.7

to be interviewing artists on their career or artists, writers, curators or general art lovers

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