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The LRB Podcast

Myself with Others: James Lasdun

The LRB Podcast

London Review of Books

Society & Culture

4.4581 Ratings

🗓️ 11 January 2022

⏱️ 69 minutes

🧾️ Download transcript

Summary

In this second guest episode from a new podcast series, Myself with Others, novelist, memoirist and poet James Lasdun talks to Adam Shatz about his taste for the Middle Ages, the power of Patricia Highsmith, and his memoir about being stalked. Subscribe to Myself With Others wherever you're listening to this podcast. Find out more about the series here: https://www.myselfwithothers.com/ Subscribe to the LRB from just £1 per issue: https://mylrb.co.uk/podcast20b Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

This is the London Review of Books podcast.

0:03.3

Today we have the second of three guest episodes from Myself with Others,

0:07.4

a new podcast presented by our US editor, Adam Schatz.

0:11.6

In this episode, he's talking to this episode is the writer James Lazden.

0:39.1

Born in 1958 in London, James has lived in the United States since the mid-1980s.

0:46.0

He is the author of four widely praised novels and four collections of short stories,

0:51.6

as well as several books of poetry and a now classic memoir of being harassed by

0:56.6

an online stalker. The Guardian has described him as one of the most incisive investigators

1:03.6

of the human heart writing in English today. It's a judgment I share. In fact, I would go further

1:10.7

because his investigations of the human

1:13.4

heart are also explorations of the human condition in the age of social media, precariousness,

1:20.4

and fear. Thank you, James, for joining me on myself with others.

1:24.5

Well, thank you, Adam.

1:25.6

A little strange for us to be talking via Zoom in a more or less formal interview since we

1:30.8

see each other often and speak frequently.

1:33.1

Very strange.

1:34.1

We'll get used to it, though.

1:36.7

You've worked in a variety of literary forms in poetry, memoir, the short story, the novel,

1:43.4

even the thriller. You've also written screenplays.

1:46.5

But whatever form you're working in, I think of your writing as exploring how we navigate and

1:54.2

rationalize discrepancies between who we are and who we think we are, how we grapple with desires, dark impulses,

2:03.6

unpleasant feelings we'd rather not own up to, and increasingly how we respond to threats against privacy,

...

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