Hey friends, before we get to today's special edition live podcast episode all about musicals,

I just wanted to give a little disclaimer that the audio from the event wasn't perfect, it's still fine,

but I wanted to make sure you knew that this episode is honestly so exciting.

The guests we had on literally had people in the audience gasping because they were so,

their minds were blown and our minds on stage were blown.

So I want to make sure you get to that. It's a great episode.

I hope you enjoy it and hopefully a little bit of peeking that was happening from

the events recording won't bother you too much, but it shouldn't.

It's still great. Thank you for sticking around. And enjoy the podcast.

Hello! How's it going? Oh my god, hi!

I'm curious. Welcome to the second ever live taping of Side Note, the podcast.

Oh my god. Okay, so our controversial subject for this week is musicals.

So we're going to start by telling some stories, then we're going to actually be

interviewing someone who is a piano player who's from New York City. I mean, oh my god,

that's a big apple. And then at the end, Mitch and I are going to be debating about what is the

best musical of all time. And you're going to decide who wins. Last time I won, just in case you were

wondering. He panned her to the crowd. It was Montreal and he picked Celine Dion, okay?

Come on. And every week, when we start our podcast, we always start with what we learned this week.

So Mitch, hit it. Oh, what did we learn this week? Yeah! Love tech version of technology here,

okay? I hope you heard that. It was a little jingle I made the other day. What did you learn this

week, Mitch? Oh, oh, this week I learned that there was a psychology study where they were testing

the most likely word that would be used to identify if somebody was a human or a robot. So like,

...