Music Supervisor Susan Jacobs & The Story of Malcolm McLaren After "Pistol"
Sound Opinions
Sound Opinions
4.3 • 2K Ratings
🗓️ 15 July 2022
⏱️ 52 minutes
🧾️ Download transcript
Summary
Susan Jacobs won the first Emmy ever awarded for music supervision. Hosts Jim DeRogatis and Greg Kot talk with Jacobs about her work on "Big Little Lies" and other projects. They also talk with author Paul Gorman about his biography of Malcolm McLaren, the legendary manager of the Sex Pistols.
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Featured Songs:
Joe Tex, "A Woman's Hands," A Woman's Hands (Single), Dial, 1967
Sex Pistols, "Anarchy In the U.K.," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977
Sex Pistols, "God Save the Queen," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977
Sex Pistols, "Pretty Vacant," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977
Bow Wow Wow, "I Want Candy," The Last of the Mohicans, RCA, 1982
Malcolm McLaren, "Buffalo Gals," Duck Rock, Virgin, 1983
Bill Lee, "Nola-Vocals," She's Gotta Have It - Original Motion Picture Soundtrack, Antilles, 1991
Public Image Ltd, "Public Image," Public Image: First Issue, Virgin, 1978
Marvin Hamlisch, "Theme From The Swimmer (Send for Me in Summer) / Big Splash," The Swimmer, CBS, 1968
Leon Bridges, "River," Coming Home, Columbia, 2015
Led Zeppelin, "Whole Lotta Love," Led Zeppelin II, Atlantic, 1969
Led Zeppelin, "What Is and What Should Never Be," Led Zeppelin II, Atlantic, 1969
Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969
Charles Bradley, "Victim of Love (feat. Menahan Street Band)," Victim of Love, Daptone, 2013
Michael Kiwanuka, "Cold Little Heart," Love & Hate, Interscope, 2016
Sylvan Esso, "Come Down," Sylvan Esso, Partisan, 2014
Chicago, "25 or 6 to 4," Chicago, Columbia, 1970
Norman Greenbaum, "Spirit in the Sky," Spirit in the Sky, Reprise, 1969
Dire Straits, "Romeo and Juliet," Making Movies, Warner Bros., 1980
Electric Light Orchestra, "10538 Overture," The Electric Light Orchestra, United Artists, 1971
Simon & Garfunkel, "Mrs. Robinson," The Graduate, Columbia Masterworks, 1968
Harry Nilsson, "Everybody's Talkin'," Aerial Ballet, RCA Victor, 1968
The Acid, "Tumbling Lights," Liminal, Infectious Music, 2014
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Transcript
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| 0:00.0 | Hey Sound Opinions listeners, if you support us on Patreon, you get to listen to our podcast |
| 0:05.8 | ad-free on Patreon. |
| 0:29.2 | You're listening to Sound Opinions and this week where we're visiting our interview with |
| 0:36.1 | music supervisor Susan Jacobs. I'm Jim D. Rigatis and I'm Greg Kot. But first we're back to our |
| 0:42.3 | conversation about Malcolm McLaren. We first aired our interview with Paul Gorman about his |
| 0:48.2 | biography of Malcolm McLaren in 2020. Today we're revisiting it because of Danny Boyle's new show |
| 0:55.6 | Pistol featuring McLaren as a prominent character and while the show isn't exactly a critics pick, |
| 1:02.9 | it's about 56% on Rotten Tomatoes Greg. Paul's book is a hit with at least these two critics. |
| 1:12.5 | Let's go back to that interview for a deeper look at the man behind the myth Malcolm McLaren. |
| 1:25.6 | We want to welcome British journalist Paul Gorman to the show. His new book is called The Life |
| 1:52.1 | and Times of Malcolm McLaren. Greg, I think it has the distinction of being the heaviest book we |
| 1:58.0 | have ever talked about on Sound Opinions. It is quite an accomplishment, Paul, and cyclopedic, |
| 2:04.3 | but gripping. Welcome to the show. Well, it's good to be here. Well, thank you. You know, |
| 2:09.2 | why don't we start at the obvious place? Malcolm McLaren, why is he worth 860 odd pages of biography? |
| 2:18.4 | You know, because it's a name, let's face it, that many people won't even know unless they're |
| 2:23.6 | of a certain age, knowing him as the spiky-haired redhead who steered the steered in quotes, |
| 2:30.0 | the career of the Sex Bistels. Right. What drew to this subject? Well, because I didn't think that |
| 2:37.0 | really his contribution to pop culture and the wider culture had been recognized in the right way. |
| 2:44.4 | I think he was partially to blame for this because, you know, he dubbed himself in the Sex |
| 2:49.2 | Bistels biopic The Embedler. So he kind of painted himself into a corner as this kind of caricature |
| 2:57.1 | manager, evil manager and manipulator of the media and the people who were his charges. When |
| 3:04.9 | in fact, that was a position he took. You know, I got to know him later in life and he was quite |
... |
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