Summary
How Mozart's Requiem, written when he was dying, has touched and changed people's lives.
Crime writer Val McDermid recalls how this music helped her after the loss of her father. Hypnotist Athanasios Komianos recounts how the piece took him to the darker side of the spirit world. And a friend of ballet dancer Edward Stierle, Lissette Salgado-Lucas, explains how Eddie turned his struggle with HIV into a ballet inspired by Mozart's music.
Basement Jaxx used the Requiem in their live shows while Felix Buxton reveals his love for Mozart and the divine nature of the Requiem.
And Mozart expert Cliff Eisen takes us inside the composer's world: how the orchestra and choir conjure visions of funerals, beauty, hellfire and the confusion of death. He recounts how Mozart was commissioned to write the piece by a nobleman who may have intended to pass off the work as his own. The stern challenge faced by people trying to complete the piece are described by composer Michael Finnissy, who himself wrote a completion of the work.
The Requiem was performed at the funerals of many heroic figures - Beethoven, Napoleon and JF Kennedy, among others.
Gordana Blazinovic remembers one extraordinary performance during the horrors of the Bosnian war - a show of defiance and grief from the ruins of Sarajevo City Hall.
Producer: Melvin Rickarby.
First broadcast on BBC Radio 4 in April 2016.
Transcript
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| 0:00.0 | My dad and I were always very close. |
| 0:02.4 | The night before my sixth birthday, he took me up Falkland Hill, |
| 0:05.7 | which is one of the three big hills in the middle of Fife, |
| 0:08.8 | to get out of my mum's way while she was icing the birthday cake. |
| 0:12.0 | And I can still remember that summer's evening going up Falkland Hill |
| 0:16.0 | in the sort of dimming of the day, as it were, |
| 0:19.0 | and the light and the views. |
| 0:21.6 | You see across the fourth of the fourth of the day, as it were, and the light and the views. You see across the Firth and the Fort, the Edinburgh, |
| 0:23.6 | and the Pentland Hills, Perthshire in the distance, |
| 0:26.6 | plain of fife laid out before you. |
| 0:31.6 | We were very temperamentally similar, sort of impatient and quite stubborn. |
| 0:36.6 | We spent most of my teens at war. |
| 0:39.3 | We used to argue a lot about politics and we used to argue about pretty much everything. |
| 0:44.3 | In my 20s, we started to develop an adult relationship. |
| 0:49.3 | That's one of those great transitions that you start to see your parents as people and not just as your parents. |
| 1:01.5 | My name is Val McDermid and I'm a crime writer. My dad was a clever man but he was also very |
| 1:08.8 | emotionally intelligent when I came out as a lesbian. |
| 1:12.1 | He was completely relaxed about it. |
| 1:14.5 | He never expressed any unhappiness or disquiet. |
| 1:19.0 | He just took everything in his stride. |
| 1:26.3 | My cousin's husband took it upon himself to educate me in classical music |
| 1:30.3 | when I was in my late teens and early 20s. |
... |
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